Oct 14, 1983 Dive deep into Carmen Martin Gaite's The Back Room with extended analysis, commentary, and discussion. Document PDF. This Page Only. Her first novel, El balneario. Dive deep into Carmen Martin Gaite's The Back Room with extended analysis, commentary, and discussion. Document PDF. This Page Only. Her first novel, El balneario won the prestigious. 21 - 40 de 200 resultados de libros pdf de 'EL BALNEARIO DE CARMEN MARTIN GAITE' 1 + bibliotheka el 2012-09-14 00:00:00. Martin Gaite Carmen - El Cuarto De Atras Doc.
The novelist Carmen Martín Gaite, who has died aged 74, was one of the generation that had to make their way in the dismal Spain of the post-civil war years, a country particularly hostile to independent women. In doing so, she helped change the face of Spanish literature and lay the basis for the resurgence in the 1970s of a new generation of readers.
To the reforming realist generation of the 1950s, including such writers as her ex-husband Rafael Sánchez Ferlosio and Ignacio Aldecoa, Martín Gaite added a particular sense of psychological depth. Included in this loose group of Madrid writers were two women, Josefina Aldecoa and Ana María Matute, who became her lifelong intimate friends.
The daughter of an affluent, liberal family, Martín Gaite was born in Salamanca, and graduated in romance philology from Madrid University when very few women were able to do so - at her death, she was one of only two women members of the Spanish Royal Academy. She became known for her short novel, the nightmarish El balneario (The Spa), in 1954, and won the Nadal Prize in 1957 for Entre visillos (Among Anti-macassars), in which she showed a characteristic domination of colloquial language. In both 1978 and 1994 she won the National Literature Prize, and in 1988 the Prince of Asturias Prize.
Indeed, as the young writer Belén Gopegui observed, she won every possible prize in Spanish literature except those which were fixed - in which she refused to participate. For Martín Gaite was a writer of rare principle. She was not someone to shout her opinions in a literary world full of loud voices, but discreetly showed who she was in deeds - agreeing to speak at a public library threatened by closure or refusing to lend her name to establishment institutions.
She was also a voracious reader, who never refused to help other writers. Juan José Millas, Marcos Giralt, Soledad Puértolas and Belén Gopegui are just some of the younger novelists whose careers were pushed forward by Martín Gaite's acute criticism and generosity. As well as a dozen novels, Martín Gaite wrote short stories, historical essays, literary criticism, social commentary - such as a famous 1987 book on Usos amorosos de la post-guerra española (Post-war Love Customs) - and translations.
Two novels have been published in English, Variable Cloud (1995) and The Farewell Angel (1999). The former, commonly thought the finest of her later books, added massive sales to her literary renown. Indeed, her three novels of the 1990s each sold over 300,000 copies.
![]()
Variable Cloud is the story of two childhood friends who had lost their friendship by a divergence of paths, exacerbated by sexual rivalry, but in middle-age crisis meet by chance at a party. Both are stimulated by the reunion to write down their stories, one in letters, the other in a journal. The novel is a paean to the curative effect of explaining the present by writing down the past, and not just secretly, but for another: literature as friendship. Gradually both women find solace in writing. Their troubles are not diminished, nor swept away, but held at bay by the triumphant renewal of their friendship.
Sigma as 227 program management. Martín Gaite explores meticulously the inner lives of her protagonists, making few concessions to her readers: the themes are complex and the inner monologue abundant. Yet this long novel is very readable because of the smoothness and beauty of her style - not for nothing was she translator into Spanish of Madame Bovary - and a number of vivid secondary characters who bring wit and act as a chorus on the plights of the two women.
Martín Gaite wrote psychological novels, but always strongly pinned by a realist social context. Friendship was not just the theme of Martín Gaite's novels, but the passion, along with literature, of her life. Constantly active, unafraid to talk unguardedly, endowed with the gift of friendship, her open personality became a model for younger women of how to face life and take from it everything it has to give by herself giving generously.
And, despite early success, she was not pampered by ease and privilege: her long struggles in her career under Franco - she was already 50 when he died - were added to by the failure of her marriage and the death of her only child, her daughter Marta, in 1985. She dedicated her novel Lo raro es vivir (How Strange It Is To Live) to a friend who 'always poked her head out among ruins and mistakes with her smile of light'.
Dragon ball z sparking meteor. Martín Gaite's frank stare and open smile of light - in her art and her life - taught her readers how to understand their own ruins and mistakes. She had been working right up to her death from a cancer diagnosed only in June.
Carmen Martín Gaite, writer, born 1925; died July 23 2000
Carmen Martín Gaite (8 December 1925 – 23 July 2000) was a Spanish author. She wrote in many genres, including novels, short stories, and essays. She also wrote screenplays.
Born in Salamanca, over the course of her life she won various awards, including the Prince of Asturias Awards in 1988, the Award Premio Castilla y León de las Letras in 1992, and the Premio Acebo de Honor awarded to her life work.
She was married to fellow writer Rafael Sánchez Ferlosio.
Biography[edit]
Carmen was the second daughter in the marriage of José Martín López (Valladolid, 1885) and María Gaite Veloso (Orense, 1894), who got married in 1923. Her parents had met in Salamanca, where her father worked as a notary. Her maternal grandparents were from Orense and her mother was also born in this province of Spain. Her grandfather was a professor of geography and her great uncle founded the Ateneo of Orense and was a director and a publisher of the newspaper called El Orensano. The family used to spend summers on the farm of her grandparents in San Lorenzo de Piñor (Barbadás), five kilometers away from Orense. These trips were the base of her connection with Galicia and its culture. It encouraged her to write some of her works, such as Las ataduras and Retahílas.[1]
Carmen was born and grew up in the city of Salamanca. As a child, she did not attend to any school because her father, who had liberal ideas, did not want her to be educated in a religious institute. That is why she had private classes at home given by private teachers and her father, who was fascinated by the history and the literature.
The start of the Spanish Civil War stopped Carmen from attending the last two years of High School in the School Institute of Madrid, as her sister Ana had done before, so she had to do her secondary education in the Women's School Institute of Salamanca, whose environment is reflected in her novel, Entre visillos. There, she was taught by Rafael Lapesa and Salvador Fernández Ramírez. They would be future members of the Real Academia Española (Royal Spanish Academy) and would leave a mark in her literary vocation.
Dictadura De FrancoUniversity[edit]![]()
In 1943, she studied Philosophy at the University of Salamanca, where she was taught by Francisco Maldonado, Antonio Tovar, Manuel García Calvo and Alonso Zamora Vicente. In the first year, she met Ignacio Aldecoa and Agustín García Calvo. In those years, she contributed to the magazine Trabajos y días, where her first poems would appear. She also became interested in the theater, taking part as an actress in several plays. During the summer of 1946, she was awarded a grant by the University of Coimbra, where she strengthened her interest for the Portuguese-Galician culture.
In the summer of 1948, after finishing her degree in Romance Philology,[2] she was awarded a scholarship for further studies abroad in the Collège International de Cannes. There she perfected her French and became familiar with a more open and more cosmopolitan society. That same year, she moved to Madrid in order to prepare her PhD thesis in XIII Galician-Portuguese chansonnier, which she would not complete. In Madrid, Ignacio Aldecoa introduced her to the literary circle of some of the writers that were part of the Generation of '50.[3] Significant members of this generation were: Medardo Fraile, Alfonso Sastre, Mayrata O'Wisiedo, Jesús Fernández Santos, Rafael Sánchez Ferlosio, Josefina Aldecoa and Carlos Edmundo de Ory.
Bibliography[edit]Novels[edit]
Short stories[edit]
Children's literature[edit]
Theatre[edit]
Television[edit]
Poetry[edit]
Essays[edit]
Translation[edit]
References[edit]
El Balneario Carmen Martin Gaite Pdf De
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Carmen_Martín_Gaite&oldid=911440018'
Comments are closed.
|
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |